Showing posts with label Yvonne Strahovski. Show all posts
Showing posts with label Yvonne Strahovski. Show all posts

stars, sex and nudity buzz : 12/26/2012

'Dexter' showrunner explains shocking finale, season 8 plans
dexter
Showtime’s re-energized seventh season of Dexter delivered a finale twist that’s arguably the most disturbing moment of the series: Debra Morgan (Jennifer Carpenter) murdered Miami Metro police captain María LaGuerta (Lauren Velez) to protect her serial killer brother (Michael C. Hall). How will her decision impact next season? Will Yvonne Strahovski return? And will the show really end next year?
Below, showrunner Scott Buck takes our burning questions.

ENTERTAINMENT WEEKLY: Dexter is a serial killer and even he was struggling with the idea of killing LaGuerta. How did Debra, whose value system is so different than Dexter’s, make that jump?
Scott Buck: I think she was under extreme duress at that moment. Dexter is the master manipulator, and it’s left up the to viewers how they want to interpret things, but Dexter was very much in control of the situation.

By saying that, are you hinting he expected her to show up?Buck: No, I don’t think he was expecting his sister to show up at all. But when it finally came down to it, I think he handled it in the smartest possible way.

Was Debra always going to kill LaGuerta, or did you consider another outcome? And what was Jennifer’s reaction?
Buck: From the beginning of the season this was always how it would end. She knew very early on this was where it was going, she was excited and terrified to take Debra down this road.

Does killing LaGuerta really make that warrant [for Dex and Deb's incriminating cell phone records] disappear? Isn’t that sort of hanging out there for investigators to find?

Buck: The warrants are still sitting on LaGuerta’s desk so they have not been filed. So there is no record of a warrant at this point.

And another question fans were wondering: Are you going to address the fact that Debra uses her own gun to kill LaGuerta?
Buck: That will be addressed. We’re also dealing with Dexter here who’s not only the person planting the evidence but will also be the forensic expert collecting the evidence on the other end.

You also brought back Sgt. Doakes in flashbacks. Can you talk about the decision to have him return?

Buck: I was a huge fan of Erik King. I always thought he brought so much fun and energy to the show. We always talked about a way to bring him back, but we didn’t want to do it arbitrarily. Since we were telling the end to LaGuerta’s story it felt very organic to bring Doakes back.

Will he appear in more flashbacks next season?
Buck: We haven’t discussed that yet.

You’ve said next season will explore “where Dexter started,” can you elaborate on that?
Buck: I think we’re all aware of Dexter’s origins, born in blood in that trailer. But I don’t think we’ve full explored the whole story and next season we’ll learn there was more to it than we’ve discovered. There’s more things that Dexter has not yet discovered about how he came to be who he is.

Angel Batista (David Zayas) is retiring, but I’m assuming he’ll have a role?
Buck: He announced his retirement. The finale took place just before he filed his papers. The situation has suddenly changed a great deal.

Hannah (Strahovski) wasn’t killed off, which surprised me since usually guest stars tend to only last one season on the show. Will she be back next season? 
Buck: I certainly hope so, yes. I can’t elaborate because we’re just at the beginning of figuring out next season and deals have not been made yet. But I’m very interested in having Hannah back.

At this point, Dexter is really less a vigilante killer and more of a murderer covering his tracks. Are you deliberately taking his character that direction?

Buck: I think LaGuerta was a very different kill than any Dexter has done before. Obviously it wasn’t him who killed LaGuerta but I think he’s as responsible as anyone. Yes, it was done very deliberately. I know a lot of viewers see Dexter as almost a superhero. We wanted make sure everyone was aware that at his core he’s a serial killer with a code. He’s evolved a great deal over the years from someone who was a lizard brain psychopath the first season who was very good at playing the game. But as he’s become more human the risks have become much greater. That’s something we’re trying to explore this year and into the next season.

Is there a concern that viewers will no longer sympathize with him and Debra? Or are we supposed to be turning on him in the home stretch?
Buck: I don’t think we’re supposed to be turning on him, necessarily, but I think we want people to understand him a bit better. The more human he becomes the more responsible he becomes for what he’s done and that’s something we’re not trying to shy away from. It makes the character more interesting and complex and even more culpable.

In terms of Deb’s romantic feelings for Dexter, you dealt with those feelings head-on part-way through the season. What are Debra’s feelings for Dexter now that she’s killed LaGuerta?
Buck: She’s so overwhelmed by everything I don’t think she can even process what she’s thinking. But she’s going to be in a very different place than we’ve ever seen her before next season. I think she’ll always love Dexter in her own way but I don’t know she’ll continue to harbor romantic feelings for him.

Will LaGuerta’s death bring them closer together or drive them further apart?
Buck: A little of both. It bonds them in a unique way, but it’s a very tragic way. They will always have that connection but it’s not necessarily the most positive way of being bond to someone.

Will there be a Big Bad villain next season? Do you even need one given all the drama you’ve set up among the main characters?
Buck: It will be a different incarnation of that sort of character. We’re not thinking of it in terms of a Big Bad. But there will be people for Dexter to go up against.

But it won’t be another serial criminal that police are tracking at the same time?

Buck: It won’t be the traditional Big Bad, no.

Next season has been called a likely final season. Is that still the case? What conversations have you had with the network about that?
Buck: That’s a Showtime decision and I’m not aware a final decision has been made. But we’re approaching the season as if it’s a final season. If we’re told otherwise, we’ll redirect.

So terms of the story, you’re taking it toward a satisfying series conclusion next year and not a cliffhanger?
Buck: Absolutely.

Do you have a clear ending scene in mind?
Buck: Yes, absolutely. We’ve always had various was to end the show and they were always quite similar. It was more a matter of landing on exactly how we want to end this and that’s the direction we’re moving right now.

Is there a chance of this show having a happy ending?
Buck: A serial killer story can only end so many ways and none of them are particularly happy.

* It was confirmed months ago Yvonne was contracted to appear in the final season subject to financial negotiation and script changes. Now it seems like the Aussie could be demanding a pay-hike and this is where leverage can be applied on Yvonne to really get naked. No more cock teasing nonsense.

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SEXY Kate Upton chomps on a meat....

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It's hardly surprising that students are turning to the sex trade

A man allegedly behind the Sponsor a Scholar website, which is said to offer tuition fees in return for sex, has been arrested, but Dr Brooke Magnanti doubts the sorry mess is a prostitution ring.






Scottish-born madam Anna Gristina charged with running multi-million dollar Manhattan prostitution ring
'Interestingly the whole mess has been reported as if this is some sort of prostitution ring. As far as I can tell from the reports, it's not.'

With the end of the week comes news that a person allegedly behind the notorious Sponsor a Scholar website has been arrested.

Mark Lancaster, who was released on police bail, has been arrested on suspicion of inciting prostitution. It is claimed that he set up a website for female students looking to have sex with men who would pay their fees. As part of the site's process, this apparently entailed an unpaid "practical" session with an "assessor" to determine the young woman's intimacy quotient.

Reportedly a few women didn't decline this request, but also didn't find themselves introduced to any rich sugar daddies, either.

As someone who reached the end of her studies with - shall we say - more erotic capital than liquid assets, I'm unsurprised that students would consider the sex trade to meet their expenses. The tuition fees for home students in England and Wales are now almost at the level of what they were for overseas students like me when I started studying.

With a lot of bills to settle but not a lot of free time, you'd be bonkers to imagine a couple of shifts at the local hostelry could even begin to touch the sides of the yawning chasm of student debt.

In the last few years, not only have the number of students in erotic entertainment become more visible, there has also been a corresponding rise in the coverage of people seeking arrangements. Sugar babies and sugar daddies, while there is obviously money and sex involved, are often quick to deny it's prostitution. But you can't deny that a transaction is definitely taking place.

Interestingly, the whole Sponsor a Scholar mess has been reported as if this is some sort of prostitution ring. As far as I can tell from the reports, it's not. No money appears to have been promised for the sex acts that took place and no money seems to have actually changed hands. It seems instead that whoever was "assessing" the female students was a common-or-garden con artist and not a pimp at all.

Whatever the outcome of the Sponsor A Scholar brouhaha, one thing's for certain: this is a ruse that may have worked for one guy, but smart money says it won't work again. Girls who had sex for free - well, I don't see how they can possibly prosecute anyone for 'inciting prostitution' in the circumstances - must be kicking themselves.

Take it from a real pro… the assumption that agencies hold "auditions" of sexual skills in potential escorts is right up there with the myth of "fluffers" in porn. They may make for titillating media coverage, but they really do not exist.

Cash up front is the name of the game where real sex work is concerned. If you aren't prepared to say "show me the money" before getting down and dirty, then maybe it's better to take a loan instead.

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Riccardo Bergamini, photographer



A famous Italian photographer, Riccardo Bergamini, who is famous for his portraits along with having worked for top fashion companies and magazines in Italy. Here is a brief 3 minutes giving insight into the thoughts of a photographer behind a lens.


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There always be assholes in the world who rather see blood, gore and death on-screen than the perfection that is female nudity.........
Eve Marie Hogan was nude in recently released Hold Your Breath (2012)


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via Summer Glau wiki

Inside the Box - Banner

The production team of Inside the Box send us a Holiday gift, the signed screenplay of the short film, written by David Martin-Porras, to thank us "for all your help and support". Twenty lucky fans will receive a signed screenplay as a reward for their donation to support the movie.
The screenplay includes the signature of the author, David, and the three stars : Wilson Bethel (Matt, the Texan cop), Summer Glau (Sofia, Matt's wife) et Regina King (Stephanie, the District Attorney). Learn more about the cast in a Blogpost.
Here's the signed cover; can you tell at first sight which one is Summer's signature? Check it on the signed pictures (with a note from Summer) that Fermi received a few weeks ago.
Signed screenplay
The thank-you letter that came with the signed screenplay says : 
Our secrets and our survival instincts are some of our most human features, and they manifest themselves in ways we could never imagine. This is what Inside the Box is about.

[...]

Three actors whose riveting performances will, undoubtedly, position this short film among the best of the year.
For obvious reasons of copyright and in order to preserve the suspense, we won't publish any part of the screenplay. That said, reading through the pages of the screenplay confirmed the impression we had when watching the intense trailer; suspense and twists lovers are in for a treat when the short will be released (on DVD and VOD on February 2013).

Inside the Box is a great way to showcase Summer Glau's talents well in a dramatic role and will help Summer get recognition.

It's a good thing that David is stretching the boundaries of what Summer should or should not play, even if it might surprises fans at first. I think I join with all fans of Summer Glau in saying that we're all excited to watch Inside the Box.

Tell us what is more exciting, seeing Summer Glau in intense scenes or discovering what's inside the box, or both?


* Don't want to get anyone hopes up but the director is David Martin-Porras - the guy responsible for cajoling Sophie Auster (almost a doppelganger of Summer Glau) to show her tits in Stealing Summers (2011).

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Amanda Hendrick

Directed, Filmed and Edited by Tom Mitchell
Styling, makeup and hair by Amanda Hendrick.
Shot in Central Glasgow, December 2012.


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Sexy Japanese Model Mitsu Dan Promotes “Safe House” DVD by Sticking it in Her Panties

Dec 26, 2012 by
187c7cfdOn December 17, Japanese model Mitsu Dan (壇蜜) appeared at the Hotel Ibis in Roppongi, Tokyo to promote the DVD and Blu-Ray release of the 2012 American action film “Safe House”, known as “Dangerous Run” in Japan.
After taking the stage wearing nothing but black boots, a narrow tube-top bra, and a mini skirt pulled down to reveal a skimpy black thong, Dan proceeded to “promote” the movie by rubbing lead actors Denzel Washington and Ryan Reynolds all over her breasts and crotch. 
We mean the box art image, of course.
Dan’s appearance seemed to have little to do with the actual film, but photos of her posing seductively with a DVD wedged in her panties understandably spread across the Japanese internet soon after, bringing the event far more attention that it would have likely received otherwise. 098510180_121217danmitsu15_123_427loShameless? Yes. Effective? Even more so.
During the press event, Dan referred to herself as “Dangerous Dan” and answered a number of “dangerously” revealing questions about herself.
For example, when asked which of the two lead actors she would rather date, she pensively replied, “I’d like to make out with Ryan Reynolds while being spanked by Denzel Washington.”
Check the video below to see the interview in full. While the video is Japanese language only, we think viewers of all linguistic backgrounds can appreciate the rapid crescendo of shutter clicks that occurs shortly after 4:15.

Incidentally, the film was rated PG-12 when it was released in Japan earlier this year. We have the feeling this press event would have a difficult time securing anything lower than R.
See more photos of Mitsu Dan promoting her own “Safe House” in the gallery below.
Source/Images: Movie Collection, Himatsubushi, newslounge.net
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▼ Dan will also be starring in the upcoming Japanese film “Be My Slave”, where she plays the role of an office worker-turned-sex slave.


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charly

from

More here

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SEXY NUDE MUSIC VIDEO - " MY ROOM " - FILM ART

Guitar, Instruments and Vocals by Linden Hudson ( Houston Texas USA America )
Linden once wrote a famous ZZ Top song, info at: lindenhudson.com/fa
More Linden Hudson music videos at: lindenhudson.com/mu
Art by Enso England (of the UK )(thank you Enso)
Nude models: Liz Ashley and Tina Joe (awesome, beautiful girls).

More here

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DANGEROUS CURVES

short erotic surreal film
for more info on my work: eatcakeandworshipsatan.co.uk/


More here

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stars, sex and nudity buzz : 12/25/2012



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Banshee Season 1: Town Of Secrets Featurette



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Netflix present the premiere of House of Cards in aid of The Old Vic Theatre Trust at the Odeon West End, Thursday 17 January 2013.

With Kevin Spacey, Robin Wright, Kate Mara, Corey Stoll, David Fincher, Beau Willimon, Joshua Donen, Michael Dobbs.

London premiere screening of the first two episodes, of House of Cards followed by a Q-and-A with the cast and executive producers.

Following the screening, you are invited to hear cast members Kevin Spacey, Robin Wright, Kate Mara and Mike Kelly in conversation with Executive Producers David Fincher, Beau Willimon, Joshua Donen and Michael Dobbs.

House of Cards – Bad, for a greater good.
Ruthless and cunning, Congressman Francis Underwood (Oscar® winner Kevin Spacey) and his wife Claire (Robin Wright) stop at nothing to conquer everything. This wicked political drama penetrates the shadowy world of greed, sex, and corruption in modern D.C. Kate Mara (American Horror Story) and Corey Stoll (Midnight in Paris) costar in the first original series from David Fincher (The Social Network) and Beau Willimon (The Ides of March).

Thursday 17 January 2013
Screening 7pm
(Doors open 6.30pm)

ODEON West End
40 Leicester Square, West End, London, WC2H 7LP

Tickets £45



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Janet Montgomery is very attractive woman but pretty bland as an actress. She is the female lead in upcoming BBC Four "Spies of Warsaw" adapted from Alan Furst novel. Alan plays it straight with his sex scenes. The spies do it everywhere and anywhere deemed safe enough to fuck. Shower is preferable - quick, wet and clean at same time. My prediction is that Janet - still smarting from failure of TV-series Made in Jersey - will whipped out the chumbawumbas in darkish sex scene(s).

The Spies Of Warsaw
Classification: Mini-Series
Genre: Action | Drama | Educational | Family | History | Military/War | Thriller
Status: New Series
Network: BBC FOUR ( United Kingdom)
Airs: Wednesdays at 09:00 pm
Runtime: 90 Minutes
Premiere: January 09, 2013
Episode Order: 4 (2)


David Tennant (Fright Night, Doctor Who, Hamlet, Casanova) and Janet Montgomery (Black Swan, Merlin) have been cast in Alan Furst’s celebrated novel, The Spies Of Warsaw, adapted by Dick Clement and Ian La Frenais.

A thrilling spy story set in Poland, Paris, London and Berlin in the years leading up to the Second World War. French and German intelligence operatives are locked in a life-and-death struggle on the espionage battlefield.

At the French embassy, the new military attaché, Colonel Jean-Francois Mercier (Tennant), a decorated war hero of the 1914 war, is drawn into a world of abduction, betrayal and intrigue in the diplomatic salons and back alleys of Warsaw.

At the same time, the handsome aristocrat finds himself in a passionate love affair with Anna (Montgomery), a Parisian lawyer for the League of Nations. Their complicated love affair intensifies as German tanks drive through the Black Forest.

Two 90-minute film adaptations of one of Furst’s most acclaimed novels will bring to BBC Four a combination of historically located, intelligent narratives, interlaced with flawed, romantic and utterly compelling characters.

Richard Klein, Controller of BBC Four, says: “Spies Of Warsaw is Alan Furst at his best - a tense, passionate and sexy love story set against the increasingly strident clang of coming war.

"I think David Tennant playing Mercier and Janet Montgomery as Anna is such an exciting way to explore Furst's hugely convincing central characters, and I am delighted that Ian and Dick have produced such an enthralling script.

"Spies Of Warsaw is an entertaining, thrilling and insightful drama with a very different take on the Second World War, seen through the eyes of characters who know from the start that they and their fellow countrymen will face the brunt of the horrors to come: this is top class drama, and perfect for BBC Four.”
Richard Fell, Executive Producer and Head of Drama, Fresh Pictures, adds: “We are thrilled and delighted that David and Janet are going to be in Spies Of Warsaw. They are both actors of such great range and quality they will light up the screen as the star crossed lovers Jean Francois and Anna. As Europe is dragged into the nightmare that will be the Second World War, their illicit love affair gets ever more complicated, and the chemistry between these two extraordinary actors becomes irresistible.”
Spanning the decade from 1933 to 1943, as the Germans slowly consolidate their political stranglehold on Europe, Furst’s stories are portraits of subjugated peoples who try to resist the suffocating inevitability of Hitler’s regime. They show the potency and importance of espionage and pure intelligence in the run up to the war.

Joining Tennant in the role of Mercier and Montgomery in the role of Anna is an impressive supporting cast including: Ludger Pistor (Casino Royale) as Edvard Uhl, Ann Eleonora Jørgensen (The Killing) as Olga Musser, Jan Pohl (Captain America: The First Avenger) as Zoller, Rad Kaim (Harry Brown) as August Voss, Piotr Baumann (The Street) as Maxim Mostov, Burn Gorman (The Dark Knight Rises) as Jourdain, Ellie Haddington (Creation) as Mme Dupin, Alan Corduner (Gladiator) as Viktor Rosen, Linda Bassett (The Hours) as Malka Rosen, Anton Lesser (The Hour) as Doctor Lapp, Richard Lintern (White Heat) as Colonel Lessard, Richard Teverson (Upstairs Downstairs) as Roddy Fitzware, Nicholas Blane (The Tudors) as Papa Heininger, Adam Godley (Charlie And The Chocolate Factory) as Halbach, Kenneth Collard (Albert Nobbs) as Johannes Elter, Dan Fredenburgh (The Bourne Ultimatum) as Armand, Tuppence Middleton (New Tricks) as Gabrielle, Tusse Silberg (Drop The Dead Donkey) as Helena and Julian Harries (EastEnders) as Duff Cooper.

Shooting of the drama will begin next month on location in Poland. Commissioned by Richard Klein, Controller, BBC Four and Ben Stephenson, Controller, BBC Drama Commissioning.

This is a Fresh Pictures production, executive produced by Richard Fell for Fresh Pictures and Jamie Laurenson for the BBC, co-produced by Apple Film for TV Poland in association with ARTE FRANCE and BBC Worldwide.

Episode 1

Jan/09/2013
It is 1937, and Colonel Jean-Francois Mercier, a highly decorated soldier from the First World War, is the military attaché stationed in Warsaw, Poland while the shadow of Hitler’s Nazi regime looms over mainland Europe.

Mercier is grossly suspicious of the German military’s intentions, but he must juggle his formal duties at stifling diplomatic functions with the often death-defying realities of espionage.

With intelligence from his German informant Edvard Uhl, Mercier sets out on a stealth mission with his trusted accomplice Marek, where they discover that the Nazis are ensuring any future invasion of Poland can take place effectively and with little resistance. Mercier almost gets caught and killed during the mission, narrowly escaping, and thereby facing the wrath of French bureaucrat Jourdain, who is anxious to avoid the further heightening of diplomatic tension.

Amid the threat of a second world war, Mercier is also vying for the affections of Parisian lawyer Anna Skarbek, currently in an empty-shell relationship with Russian Émigré and political journalist Maxim. As Mercier and Anna’s relationship develops, it is clear that she must choose between both men. But will Mercier’s feelings for Anna jeopardise his mission and can she be trusted?

Episode 2

Jan/16/2013
Mercier’s mission becomes all too dangerous as his cover is compromised while trying to unearth German military plans, and a man believed dead reappears, sparking significant repercussions for both Mercier and Anna. Will Mercier discover the truth in time and what consequences will this have on the rest of Europe?

Led by intelligence from Dr Lapp, Mercier travels to Czechoslovakia to find and question the illusive ‘Seagull’, a German activist who is on the run from the Nazis.

Finding Seagull reluctant to become involved with the French, Mercier soon takes matters with into his own hands and persuades him to travel to Berlin under false identities. There, with Seagull’s help, Mercier hopes to employ a man who could prove to be a powerful ally against the Nazi regime.

As Mercier’s superiors become increasingly frustrated with his lack of protocol and risk-taking, they begin to question the intelligence he has gathered, when finally, Mercier finds himself in opposition to his own government. Frustrated with work and longing for the beautiful Anna, he returns to Paris and the support of his younger sister Gabrielle (Tuppence Middleton), eventually seeking solace at the old family estate and his father’s well-stocked wine cellar.

Now the threat of war becomes all too real as tensions rise across Europe and Mercier has to make difficult decisions. 



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* things are heating up nicely on Philippines revitalized semi-erotica genre front....

19-years old Filipino model-actress Meg Imperial is the sexy lead in upcoming steamy movie "Menor De Edad". Directed by Joel Lamangan.In the movie Menor de Edad (premieres on big screen in January), Meg is working alongside Wendell Ramos, who plays the role of the older man that Meg’s character is having an affair with. 
I’m 19, but I needed to portray a 15-year-old".



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The Big Ask with Jessica Marais 

jessica marais switched on Tv dec 25
Jessica Marais in Magic City, the big budget US period drama.
THERE was a time Jessica Marais was worried she'd be forever known as "Rachel Rafter, the girl next door". 

That's no longer a concern with the former Packed to the Rafters star soon to begin filming the title role in the ABC telemovie Carlotta, bringing to life the Les Girls headliner and transgender pioneer. Meanwhile, she is steaming up the screen in big budget US period drama Magic City, as the highly sexed Lily Diamond - hot trophy wife of mob boss husband, Ben (Danny Huston).


-- Did you have butterflies in the stomach before beginning shooting Magic City? I go through a stage of sheer panic before I go on set. I feel ill, a million thoughts and insecurities go through your head. You second guess everything about yourself and the character you've created. The moment you actually start doing a scene - two words in and it (fear) dissipates and you lose yourself in what you're doing.

-- Has acting training allowed you to conceal the anxiety and let your performance come through?
Training helps, doing theatre helps. There is such a thing as stage fright, but you learn to conceal it and bottle it. I've learnt to try to work with, and use it.

-- Lily is a great character. How do you think she functions in that pre-feminism era?
The era itself (1950s) is such a stifling time for women. Lily, on the surface, is ahead of her time and the kind of woman not bound by social prescriptions. She has a huge amount of sexual prowess and power with her sensuality. It's a form of manipulation to survive this world where dangerous men are trying to control her all the time. She is a real survivor.

-- There is a scene where she pops out of the pool naked and is clearly comfortable in her own skin. Is that a challenge to play?
The reality is that when you're filming there is a crew of about 90 people around you and you are clearly not at home in your own backyard having a little skinny dip. It becomes very clinical. It's the same with doing love scenes.

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PLAYBILL BRIEF ENCOUNTER With Yvonne Strahovski, Golden Boy's Incandescent Lorna Moon

Yvonne Strahovski

Meet Australian actress Yvonne Strahovski, known for TV's "Chuck" and "Dexter," currently wowing Broadway as the love-and-loyalty-pulled lady in the middle of Golden Boy.

Yvonne Strahovski is lighting up the Belasco Theatre in her Broadway debut as Lorna Moon in Lincoln Center Theater's revival of Clifford Odets' Golden Boy, which first opened on Broadway, at the Belasco, 75 years ago. Strahovski, 30, portrays Lorna, "a tramp from Newark" with a very New York accent who is the mistress/fiancée of married boxing manager Tom Moody. Moody manages Joe Bonaparte, the Golden Boy of the title, who has given up the violin for the financial lure of the ring. Lorna falls in love with Joe, and he with her, and she must decide whether to choose him or stay with Moody.
A native of Australia — her parents immigrated from Warsaw, her father an electronic engineer, her mother a lab technician — Strahovski is best known for TV and movies. On TV, she was CIA agent Sarah Walker in "Chuck" and is a serial killer and Dexter's love interest on this season's "Dexter." On film, she appeared with Robert De Niro in "Killer Elite" and is playing opposite Barbra Streisand and Seth Rogen in the comedy "The Guilt Trip," in theatres this month.
The Golden Boy cast includes Seth Numrich as Joe, Tony Shalhoub as his father, Danny Mastrogiorgio as Moody and Danny Burstein as Joe's trainer. The director is Bartlett Sher, who directed a highly praised revival of Odets' Awake and Sing! for Lincoln Center in 2006. Playbill.com connected with Strahovski, and her Australian accent, for a chat a few days after the Dec. 6 opening night.

Yvonne Strahovski and Michael C. Hall on "Dexter."

You, the rest of the cast, your director and the production have received many glowing reviews in the last few days. How does this feel, especially in your Broadway debut?
Yvonne Strahovski: We sort of as a cast decided not to read the reviews, because we want to keep focusing on the work itself and doing a good show every night. Obviously, it's hard to avoid — we know there've been good reviews, and I certainly woke up to a thousand e-mails and text messages from people congratulating me. So it's nice to know, but at the same time it does get in your head a little bit. And it can sometimes be a little distracting — only for the performances, where it makes you realize that the people are in fact watching you. I know that sounds silly. Obviously they're watching you in the audience. But it sort of draws attention to the fact that they're watching you, and it's nice to stay in the zone of working with the actors onstage to create a good show every night.

You were quoted as saying late last month that "Honestly, I do feel a little bit like a fish out of water. A, I've never done a Broadway play. B, I've never seen a Broadway play. C, I'm Australian. And I'm an Australian coming in to do a classic American play that is set in the 30s. It's been challenging on all fronts." Could you expand on that, and how you dealt with that challenge?
YS: It's been a lot of hard work in compressed time. In rehearsals, which were four weeks, sort of coming on board with an American cast to do this classic American play. I was on fast-forward a little bit, I think, because I was catching up to the content and the history of the play, and Clifford Odets, and the accent as well, which was a big focus of mine, obviously, because it really is one of the most important things that shape the character of Lorna Moon. That's such a specific sound from a specific era. I really wanted to work on that and get that right. Being an Australian, it was a little overwhelming. I had studied it before in drama school. We did touch on the New York accent, but certainly not as intensely as I have in the last two months.

Strahovski and Seth Numrich in Golden Boy.

Tell me about Lorna, and how you see this 1937 woman.
YS: Lorna is a survivor. I think she has had an incredibly harsh upbringing — it says in the play that her father is somewhere in the world, he's a drunk, she doesn't know him, he wasn't there for her, her mother's dead and she's had to fend for herself. I think she's very smart. She's witty, but she's harboring a lot of hurt inside, so she has had to put up a very tough exterior. It's really beautiful to see that exterior crumble in the play when she's confronted with her feelings for Joe and Joe's feelings for her. It's unexpected, and she doesn't really know what to do with it. She struggles with the loyalty she feels for Tom Moody because she made that choice to be with him, and he needs her. She runs a lot of his business for him. She constantly struggles and constantly hides, and in the course of the play we see her unravel.

You were born and raised in Australia. How did you connect with this very American, East Coast "tramp from Newark," as she calls herself?
YS: I connected with her because of all the layers of her past, the layers that make up her character. There's an element of tragedy about Lorna Moon, and I'm attracted to that as an actress because it allows you to delve deeper and deeper into a character. You have to figure out why she is the way she is and break it down again during the course of the play. It probably is the most challenging role I've ever played. It's complicated, and it's dark. She's just a human being trying to make it in the world, and during those years it was tough.

Could you talk about the rehearsal and the preview process, and director Bartlett Sher, and how you grew in the role?
YS: He really dove into this, and encouraged us to do the same, and pushed us. We talked a lot about what we thought was going on, the nature of Clifford Odets' writing, very colorful and full of subtext. The answers weren't always clearly on the page. There was a lot of exploring to do. I feel myself discovering something new every day, at every performance.

How did Golden Boy happen for you — you've been making TV series and movies, with much success. How did you suddenly wind up on Broadway?
YS: I was in Melbourne at the beginning of this year shooting the movie "I, Frankenstein" [further adventures of the monster, due out next year, with Bill Nighy and Aaron Eckhart]. During that time I had some days off to go and check out the Melbourne [International] Comedy Festival, and I ended up seeing all those standup comedians onstage, and I got nostalgic. I wondered what it would be like to be onstage again, because I hadn't done that in six or seven years. It inspired me a bit, and when my agent called and said there's this great role, you should look at this, I thought why not. I hadn't looked at any theatre because I've been so focused on film and television, and I thought I'll go in and see if I can even do a theatre audition. We'll start with that. And I guess the rest is history. Here I am.

Strahovski on "Chuck."

Could you tell me a little bit about your childhood, and your parents, how you got interested in theatre and how you got started in Australia.
YS: I was always a bit of a showoff when I was a kid, a bit of a clown. I started young — I think my parents could see from day one I was going to be some kind of performer. From a very early age, I would always make my mom film my friends and me goofing around in front of the camera, making up our own series, our own documentaries and things. We have a lot of home videos like that, which is always fun. My mom put me in my first acting class when I was 12. I was always involved in all the drama classes where I could be in school productions. I did my first Shakespeare when I was 14 — I played Viola in Twelfth Night. Straight out of high school I went for my three-year acting degree. Then I worked for three years in Australia before I came to the States in 2007.

I understand it was "Chuck" that brought you to this country. How did that happen?
YS: I was just coming over for TV pilot season. Once I landed, "Chuck" happened. I never got to use my return ticket home, because I stayed on. Now I live here.

Did you audition for "Chuck"?
YS: I sent a tape over from Australia. I put down a little audition in Sydney before I got on the plane. Then I got on the plane and landed, and a couple of days later we got a call saying they had seen the tape. I went and had a couple of meetings, and by the end of the week I had the job. It was sort of being thrown in the deep end, which feels like how things have been going for me. I tend to get thrown in the deep end, like with Golden Boy and Broadway. That's why I sort of made the decision to go with the flow and take it day by day.

What was it like working with Barbra Streisand and Seth Rogen on your new movie, "The Guilt Trip," where you play Seth Rogen's former high school sweetheart?
YS: I feel honored to have been able to work with them, especially Barbra Streisand, who's such a legend. It was a lot of fun. Their dynamic is very funny on set and the script was very funny, so I'm looking forward to actually seeing the movie.

You haven't seen it yet?
YS: No, not yet.

Strahovski and Danny Mastrogiorgio in Golden Boy.

Would you like to do more theatre, more Broadway?
YS: In the near future I think I need a break. Golden Boy is very demanding and challenging. But certainly in the future. Sure.


Is there any particular role that might interest you?
YS: I haven't even got that far. Well, actually, there's a play we did in our third year, last year, in drama school. Road, by Jim Cartwright [set in working-class Lancashire, England, in the 1980s] with many characters with a Lancashire accent. That would be fun to do now, as an adult, after having some experience.

Is there a film up next on your shooting schedule?
YS: Potentially, but unfortunately it's something I'm not allowed to talk about.

Have you had the time yet to see a Broadway play?
YS: No, I haven't. I know I really need to get out a little more. We've been in previews and rehearsals, and our schedule has been pretty hectic so far. Now that we've opened I may have a little more time — without having to go into the theatre every day to rehearse — to do a couple of things, provided they're not on the same schedule as my show.

* It's a pattern I've noticed emerging among some actresses (mostly B-listers) who performs first nude scene (in case of Yvonne - implied) and then need to validate their value as an artist to be respected for more than their body by working on a stage play soon after. Only to realize it's tough work with relentless rehearsals and grueling schedule. I don't see Yvonne doing theater again in near future. In fact I bet she will show her tits before she goes back on stage! Maggie Grace is currently doing her own self-validation with 'Picnic'. Let see how long the pothead endures the monotony of the play before bailing for good.

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Camilla Pryor : Nocera and Ferri for C-Heads
We are intrigued by model Camilla Pryor and just love the way the London based photographer duo Nocera and Ferri have put her into scene. Natural, yet so strong and sensual! The shooting took place in one of our favourite cities, London, in the popular area of Notting Hill. Gorgeous!
Model : Camilla Pryor
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Sage The Model
from steve c
First attempt here of a "photography short" with the beautiful Sage....very basic set-up shot hand held in my apartment on canon 5D mkii with 50mm 1.4 lens, used MBL in first section and left second look straight from camera without any editing, wanted a dreamy look so kept focus soft and just added in minimal film cutters for effect...
music : dubstep (DJ Fresh Gold dust remix)



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Shanti Singh
from Francis Kmiecik
Model: Shanti
http://www.tumblr.com/tagged/shanti%20suicide



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Swedish models
Julia Oliv and 
Hanna Rundlof
Lovisa Ingman [Contributor Magazine]Spring 2013
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sexy scenes from Spartacus



Jaime Murray vids

Lucy Lawless Jaime Murray in Spartacus: Gods of the Arena


Lucy Lawless in Spartacus


Jessica Grace Smith in Spartacus: Gods of the Arena


"Spartacus: Vengeance" (Series 2, Episode 4) - A Roman Party



"Spartacus: Vengeance" (Series 2, Episode 7) - End of Innocence, Glaber and Seppia


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T-and-A Magazine : Taylor Warren at play

Director: Nicholas Routzen
Model: 24-years old American model Taylor Warren
Original Music: Felipe Aparicio

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Researcher Finds Porn Exposure Good for Young Swedes

By Bob Johnson
STOCKHOLM, Sweden — Watching porn and posting nude photos of oneself may be good for young people according to a Swedish researcher.

Pernilla Nigard, a doctoral candidate at Malmö University studied men and women 18-25 and found that young people's online porn habits can enrich their lives. She even believes the practices may help shape their identities.

"A lot of it is about the need to be seen, to get affirmation, and to get attention," Nigard told The Local.

When asked why they posted “sexualized” images of themselves online, the women Nigard interviewed said that they "feel stronger" when they receive positive comments.

But it’s not all good news. If women receive negative comments, they’re likely to strike back at their critics.

Nigard found that it’s OK to be seen as sexy, but if women are labeled “sluts” or “whores” it can become problematic for those who post their photos — especially when they’re spread across the worldwide web.

"There is also a conflict between wanting to be seen as sexy and wanting to be seen as a person," Nigard explained.

Men on the other hand use porn "in the pursuit of independence." Nigard said, "It's sort of like uncomplicated sex. There aren't any demands like in a real relationship because there is a lack of intimacy.”

And although men get off on porn, they feel the pressure that they must also be critical of the inherent pitfalls of exposure.

Nigard also noted that young people are easily seduced by the instant gratification that comes from sexual exposure and watching porn even though it may only be for the moment.

"The individual is so important in society, everything is so geared to making the individual feel good about themselves, it's hard to avoid," Nigard said.

Nigard's research also indicated that it’s not really clear why young people feel good about exposing their sexuality online when it’s those who comment who have the real power. She said that perhaps it's the simple fact that our “image-heavy” culture helps shape young people’s identities regardless of the consequences.


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Brooklyn Decker






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Lauren Isabeau : A Nicholas Routzen Fashion Short for BULLETT MAGAZINE

from


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Burlesque goes West

A short documentary film I made following Cabaret Rouge (cabaretrouge.co.uk) on tour to their sellout show at Mineral Line in Roadwater, a small village in Somerset.


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Carlotta Champagne - Naked In... Baja Mexico - Long Version

from
 
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