stars, sex and nudity buzz : 12/17/2012

It's A Dirty Job...

(via After The Watershed)

"You think you're the first person I dealt with who woke up in bed with a dead body?"

"This is so fucking great," says David Nevins as he watches Jon Voight, 73, dance topless with a hooker amid a cloud of marijuana smoke. It is mid-March, and Showtime's president of entertainment is sharing dailies on his iPad from his Ray Donovan pilot, a Liev Schreiber-led drama about a fixer with his own demons. Minutes earlier, Nevins had been making his way around the Malibu set with the kind of excitement of a budding actor getting his break. Schreiber had just completed a scene in which he breaks the hand of another man, one of many windows into his character's complexities, and now a fully clothed Elliott Gould is standing knee deep in the Pacific as his character unravels in the wake of his wife's death.

As costumers, dialect coaches and a sizable crew scurry about the beachfront property on day seven of a 15-day shoot, Nevins keeps his distance from the cameras to avoid falling back into producer mode. With those around him inching down the cliff to capture the beach scene, he grins widely from his perch above the California coastline, confident the drama fits his mandate- masculinity, contemporariness and in-your-face sexual content- for Showtime, or "the inappropriate network," as his young children with wife Andrea Blaugrund, a filmmaker, have come to know it.

"Ray Donovan has all of these different shades of men in transition, which is why I like to say it feels like Passages for men," Nevin said, referencing Gail Sheehy's book about adult life stages as he waxes on about the modern-day Los Angeles pilot, featuring Schreiber, Voight and Gould's characters at significant turning points in their own adult lives. "It's so interesting to me that it is written by a woman [Southland's Ann Biderman] who really seems to understand male psychology with a depth." By early June, the show had received a 12-episode order for debut in 2013. According to Nevins, the series, in its own way, broadens the network's brand by offering "a deep and broad show with an incredible cast going 6 and 7 actors deep that has the makings of a great pay cable drama that is gripping, complicated and I think extremely watchable."

So, who or what is Ray Donovan? Promising 'a novelistic look' at the contemporary sprawling mecca of the rich and famous, the titular character (Schreiber) is a professional trouble-shooter who is regularly called on to solve the complicated, confidential and controversial problems of L.A.’s elite; like dead hookers or action heroes getting busted while coked out of their mind and attempting to couple with inanimate objects. He's the guy that keeps people's names out of the papers, pays off those who need to be payed off, and generally tries to keep the world from noticing the thick sheen of filth under Hollywood's glitz and glamour. Unfortunately, his knack for problem-solving doesn't extend to sorting out his own dysfunctional family. As we see when his father, played by Jon Voight, is unexpectedly released from prison, setting off a chain of events that shakes the Donovan family to its core.

"Ray does the dirty work for the city’s top power players," summarises Nevins. "He’s the guy they go to to make their problems disappear." The only issues he seemingly can't make disappear are the ones created by his damaged "Southie" family back in Boston. "It is a hard-hitting crime drama," agrees Nevins, but also a disturbing family drama." To that end, the series’ all-star cast also includes Paula Malcomson (Deadwood) in the role of Ray’s wife, Abby. Described as a "frank and honest, beautiful, and assertive woman," she is nevertheless having difficulty adjusting to the L.A. scene. She is also terrified that her husband could be cheating on her with one of his clients. Eddie Marsan (Sherlock Holmes) and Dash Mihok (I Am Legend) will play Ray’s brothers, Terry and Bunchy; the latter a toubled manic-depressive with an alcohol problem. Kerris Dorsey (Moneyball) features as Ray's daughter, Bridget.

Elsewhere, Gould plays the recurring role of Ray’s mentor and confidante, Ezra Goodman; Steven Bauer (Breaking Bad) is Avi, a partner and former Mossad agent; Peter Jacobson (House) plays a loud-mouthed and morally questionable lawyer called Lee Drexler; Johnathon Schaech (That Thing You Do!) is Sean Stevens, a major movie star with a mysterious connection to Ray's past; and Pooch Hall (The Game) plays Daryll, a boxer in training.

The fact that the siren song of pay cable has lured such big talent- many of who have traditionally stuck to the big screen- is indicative of an incredibly creative time in television thinks Nevins. This will be the first TV series job for Schreiber, for example, since a four-episode run on CSI back in 2007, in the aftermath of William Petersen's departure. "You've got the crème de la crème of great actors and great writers who are now interested in doing television," says the network chief. "Everything that we've ever done - and that I've ever done as a producer - has been script driven; these projects have never been developed for a specific actor. The idea is to get the best writer and develop a great script. Actors tend to be very smart readers. That's what gets people like Don Cheadle, Claire Daines, and Laura Linney to say yes to television. So it's a very exciting time creatively and it's where adults go for programming. Most adults get their most nourishing cultural enrichment from cable television."

Of course some adults, as Nevins instictly understands, also get their most nourishing celebrity titillation from cable television as well. If the thought of a topless John Voight doesn't float your boat, then maybe the prospect of The L Word alum Kate Moennig returning to a gay role will pique interest. Her character, Lena, is described as "dark, intense and naturally skilled at investigative work," who "knows how to defuse a potential disasters." She also "stays calm in stressful situations"; including, as one of the opening scene of the pilot shows us, when being disturbed in bed with another woman by an office-related phone call. "I have to work," she tells her young bedroom companion, "get dressed." In addition to her run as Shane, The L Word's woman-killer, Moennig’s previous TV credits also include CBS medical drama Three Rivers, Young Americans and more recently an episode of Dexter. On the big screen, she has appeared in films such as Everybody’s Fine, The Lincoln Lawyer and the upcoming Gone, opposite Amanda Seyfried.

Adding further glamour to Ray Donovan is California native Ambyr Childers (All My Children) in the role of Ashley Rucker. She plays "an attractive, emotionally-vulnerable, and famous young rock star" who has an extremely devoted fan base. Described as having a strong crush on Donovan, she is dating an overly controlling movie studio executive when we first meet her. In fact, he is so determined to make sure that Ashley doesn't cheat on him that he hires Ray to spy on her. "Ashley might seem perfect to her fans, but she has a number of problems," reveals the casting call. "She has epilepsy and refuses to take her medicine. But her biggest problem is that she is being tracked by a possibly violent fan."

Childers is best known for the role of bratty teen Colby Chandler on All My Children; spending nearly two years on the show, exploring car theft, a pregnancy scare, and the consequences of crashing your father's yacht. It's not exactly the training one would expect to be helpful in landing a part in Paul Thomas Anderson's The Master, the director's closely guarded follow-up to There Will Be Blood, or indeed, one of Showtime's highest profile new projects. "It's so weird," says Childers, when considering her role as 'a tortured Britney Spears-type who needs plenty of fixing'. "I've been thinking about it all day. Who knew that in 2012 I would be auditioning for the dream cast or the dream director?"

* 24-years old Ambyr Childers should be topless in couple of non-sexual scenes, flirting non-stop with stoic Liev Schreiber. It will be her first nude scenes. I added "should" because while the role requires to playfully seduce Ray Donovan, Ambyr after all is married to top Hollywood producer 41-years old Randall Emmett. Possibly use that as a leverage to lame down her nude scene.

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23-years old Brazillian model Aline Weber : Matthew Brookes [s/nº Winter 2012]
Aline proves beneath every spotlight-loving woman lurks a stripper waiting to be unleashed.

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The Girl Is Mime - Starring Martin Freeman

from Tim Bunn

Did the mime commit the crime? Clive Buckle is being questioned about the murder of his wife. Interrogation brings back a slew of memories, some good, some bad...some sexy. The police are convinced he did it, they just need a weapon; but Clive's saying nothing.

The film was made for the London 48 Hour Film Project, 2010. We funded it entirely ourselves, hence why we have included the little 'Tip Jar' button... don't feel you have to though, we won't go hungry or anything. However, if you laughed, it's a £1,000 minimum.
For more info on The Girl Is Mime, click this bitch: thegirlismime.co.uk
Also, why not check out the 'Making of' by the brilliant Sam Sapin, here: vimeo.com/19741170
Double also, why not check out the band who composed the film's brilliant soundtrack: themiserablerich.com

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Josh Brolin Says Spike Lee's 'Oldboy' Will Be "Brilliant," Was “Blown Away” By Elizabeth Olsen and DP Sean Bobbit

by Charlie Schmidlin

Building steadily for the past year, assembling a stellar cast including Elizabeth Olsen, Sharlto Copley, Samuel L. Jackson and James Ransone (our of our 10 Undervalued Actors Who Deserve To Get More), production on Spike Lee's remake of Park Chan-Wook's outstanding "Oldboy" finally began in October. However, word since then has been relatively quiet, but leading man Josh Brolin has offered his take on the project and the people surrounding it.

While promoting the upcoming actioner “Gangster Squad” this past Friday, Brolin was questioned about the remake of the 2003 original, to which he confirmed his work on the film was finished, and also offered a note on his early experience. Claiming initially to “have thought, 'Uh-oh, this could be a stinker' ” due to Lee's reportedly unconventional and ultra-violent approach to the material, he nonetheless regained his confidence and support by the end of filming for the “fantastic” director, as well as a few other talents in the cast and crew. He said he was “blown away” by Elizabeth Olsen, and also singled out Sean Bobbitt, who shot Steve McQueen's “Hunger” and “Shame,” as an “unbelievable” addition to the team.

The actor also addressed the question of the faithfulness of the picture to either Chan-Wook Park's film or Garon Tsuchiya's manga, saying the movie shares similarities to the first "Oldboy"  “only in its structure.” He then added, “It's more of an interpretation than it is a remake. I called Park Chan-Wook myself and I asked him, 'You know, I need your blessing in order to do this, because I won't do this without your full support.' He said, 'Absolutely, just don't do the same movie,' and we're not. I think it's going to turn out brilliant.”

If not brilliant, Brolin's intriguing hints promise at the very least another singular work from Lee, one finally made visible when FilmDistrict brings “Oldboy” to theatres on October 11, 2013.

* "Brolin said he was “blown away” by Elizabeth Olsen" - Josh you double entendre loving bastard. Will Olsen get nude as intended or it's the usual fuck-her-with-her-back-against-a-wall routine. Spike is quite talented in persuading his female leads to disrobe to some degree so I'm pretty much optimistic.

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Mark Pavia's "DRAG"

from Panic Pictures 

"DRAG is the best short horror film I've seen in twenty years- smart, scary, and ferocious." -- Stephen King

"DRAG" - Mark Pavia's legendary 16mm zombie short was discovered and championed by the master of horror himself, Stephen King. This is the film that landed Pavia in the writer/director's chair for Stephen King's "The Night Flier", the vampire cult classic.
Shot in and around Pavia's home town of Lockport, Illinois, "DRAG" was also an early effort by Academy Award winning DP Mauro Fiore (AVATAR).
Never before seen online, "DRAG" inspired a generation of young horror filmmakers and fans.

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What Women Really Think of Sex Talk; Were Salt-n-Pepa Wrong All These Years?

Dec 17, 2012 by Master Blaster

When a group of guys get together it’s not uncommon for the topic of conversation to turn to sex. Whether it’s true stories or just some blue jokes, the conversation will naturally float into X-rated territory every now and then.

And though some pretend it’s not the case, women can be equally, if not more explicit when it comes to talking about sex.  I could pull some columns from major women’s magazines that would make you swear you were reading Penthouse Forum. This is all without mentioning that 50 Shades of Pervy series that all you gals are into these days.

While boy and girls are well and fine speaking of naughty things among the same gender for some reason, when we cross paths, the topic of sex becomes a minefield of inappropriateness.  Topics of conversation guys would think nothing of bringing up with each other could easily become actionable in a court of law when in the presence of a woman.

NicoNico News recently went in search of that think blue line between appropriate and not ways to approach mature subject matter in the company of mixed genders.  Let’s see what they found.

After asking several young adult women how they felt about male co-workers and friends talking about sex in their presence, NicoNico found that some women felt that there are boundaries when discussing the subject. Here are some of the ways men can talk about sex in the presence of a lady without having a drink thrown in their face.

Passable Sex Talk Techniques

• Euphemisms
  “Graphic language like naming specific body parts doesn’t fly with me. Clean up the language and I’m okay.”
  (27 year-old)

• Sense of Humor
  “If they keep things light and witty then I can enjoy it.”
  (28 year-old)

• Talk About Loved Ones
  “If they are trying to ask another woman for help with their wife or girlfriend, I like that.”
  (31 year-old)

• Out Drinking
  “If I’m out drinking with good friends then I’m fine with things getting a little personal.”
  (25 year-old)

• Slow Build-Up
  “There are stages to getting dirty. If they approach sex gradually then it’s comfortable.”
  (25 year-old)

These seem like reasonable requests. If you’re going to venture into questionable material in your stories or jokes make sure you do it in a witty well-paced manner. In fact I’d be happy if everyone told all their stories and jokes in that manner.
But it’s not a perfect world and we’re not all Mark Twain on Ritalin. The best of us makes regrettable comments from time to time.
Perhaps it’s more realistic to take a look at the lower borderline of what’s unacceptable and may earn guys a restraining order.

Prohibited Sex Talk Techniques

• Conquest Stories
  “When guys tell stories of how they got with easy women, they think it sounds cool.  It sounds pathetic to me.”
  (26 year-old)

• Bragging
  “Guys endlessly talking about how good they are in bed? No thanks.”
  (30 year-old)

• Naming Names
  “’**** won’t put out’ or ‘**** does this in bed’ kind of talk about specific people makes me uncomfortable.”
  (24 year-old)

• Imitation
  “When a guy poorly imitates the voice of a woman other guys laugh, I just feel bad.”
  (26 year-old)

• Interrogation
  “If a guy wants to go on and on about himself then fine. But if he starts pushing me for information…”
  (28 year-old)

• Shock Talk
  “Guys who talk about sexual things just so they can get a reaction are disgusting.”
  (26 year-old)

Again, these seem like reasonable requests. I think I can go without imitating women or talking about how awesome I am in the sack.  Although I do have this one move where… Ah… never mind.

On the other hand, with regards to the last point; saying shocking things can be fun sometimes.  If no one ever did shocking things life would be pretty boring. Heck this website is largely built around shocking things.  So how do we keep the spontaneity while not offending?

Many of the women who were interviewed by NicoNico mentioned that if the man shows respect for women in his daily life then he can get away with quite a bit of dirty talk.

Apologies for being US-centric but it’s hard to ignore Howard Stern in this matter – a man who built a hugely successful mainstream career on exactly this type of conversation. The reason that he was able to win over both men and women, gay and straight is that they could all see a good person at his core – not by what he says, but how he leads his life.

That’s really the heart of the matter.  Were all people and as long as we respect each other as much as possible when it really matters, we can probably get away with any of the transgressions listed above.

Then again, what do I know? I had phone sex with a panda.

Source: NicoNico News (Japanese)

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Lizzy Caplan is Fixed

By Colleen Kelsey

KELSEY: [laughs] Anyway. You've had these really memorable roles, in both film and in TV, whether its Janis Ian in Mean Girls or smaller ones, like Sara on Freaks and Geeks or Amy on True Blood; how do you approach getting into these characters who come from such different places? Is there a bit of yourself in every one that you connect with?

CAPLAN: I try to find some similarities between myself and the characters, even if it's the tiniest thing. The True Blood character was probably the biggest departure for me, because I'm the opposite of like a vegan hippie chick. I can't, I can't even. But, in comedy roles I gravitate towards broken girls, and so I can definitely draw some real-life experience. [laughs] But I'm fixed now! I'm not longer broken, so it worked. The show I'm going to do next, Masters of Sex, is a drama and takes place in the '50s, and that is very, very unlike me, how she behaves, there's a lot of space between her and me in real life. It's about Masters and Johnson, the sex researchers in the '50s. It's their story and their research, but their actual story, I'm very curious to see if people think that we are stretching the truth because the insane stuff in our show is true. It's about them and their relationship, because they end up having this completely strange and sordid intimate relationship on top of their working relationship. It's a multilayered, just dysfunctional thing, and I think it's going to be fascinating.
But, I read the book about them and where she's coming from, and we think very similarly, which is exciting. It's a different time period, a different state and all of that, but I think that her mindset and my mindset do sort of match up. It's just that my mindset is actually accepted in 2012, or more so than it was in 1956, that's for sure.

Rest of the interview is here

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The VICE Guide to Eating Pussy

By VICE

Men suck at eating pussy. Not because they don’t like it but because it’s really fucking hard. You have to learn it. Giving good head is the key to just about everything in life (including getting good head later on), so it’s time we broke it down. Like this.

The secret to giving good head is to read the signs. You could be the best sexual mechanic in the world, but if you can’t read the emotional road signs, you’re going to end up wandering around in a desolate labial wasteland until, eventually, you drop from exhaustion, hot tears of confusion streaming down your face.

Think of eating the puss as your way of saying, “Although I am about to rock your insides with 3,000 lbs. of explosives, here’s a little intimate treat session to show you how I really feel.” Instead of a screaming “OH MY GOD!!” like her baby has been trapped under a car (which is what fucking should do), cunnilingus elicits a more splendiferous “ooohmygodohmygodohmygod.” Kind of like being massaged with exotic fruits by a muscular Arab oil sheik. A good mange (that’s French for “eat,” you brutes) is like a thousand years of Saturdays or a “Calgon, take me away” ad.

Break it down!

1) Be Down
Don’t go down unless you’re down. Unlike fellatio, cunnilingus can never be done as a favor. Doing it when you don’t want to will only bring on the dry heaves. Eat like a pig at the trough and a lot of stupid mistakes get forgiven.

2) Don’t Say Hi to Dry
A dry pussy is an unhappy pussy. If your fingers graze a dry bush, go back to the kissing and hugging for awhile. Just make sure you actually dip your finger between the lips. Sometimes moisture gets trapped between the labia and a little fingerial coaxing is all that’s needed to get the honey dripping.

Once you’re sure the beaver is wet, give it a few light, teasing strokes with your finger. There’s nothing worse than rushing into this, so make sure she’s really begging for it before you get under the covers.

Extra tip: Be like Prince and bring up a wet finger that both of you can share like a 1950s milkshake with two straws.

Important: Don’t play your trump card too soon by putting your fingers all the way inside. This can detract from the upcoming penetration and kill the tease factor. Try to remember that 78 percent of a woman’s pleasure is about yearning. Poking it in too soon is sure to put out the fire.

3) Submarine Mission for You, Baby
Once she’s lathered up, it’s time to go down. Get your fingers out of there and don’t touch anything for a bit. Let your lap do a bit of grinding and get some last-minute necking in like you’re going away on vacation.

Though it’s very tempting on your way down to pull the blankets over your head like the little mole-man that you are, this is a very bad idea. It gets super hot down there and whipping the duvet off your head and gasping for air ten seconds before she comes is pretty much going to kill the mood.

Start by kissing her boobs and stomach and slowly working your way down. Don’t get carried away with those stupid tits, though. That’s something you should have taken care of before the pants even came off. Right now it’s all about the stomach and inner thighs. A little bit of gentle biting is good, but a sure winner is to start at the knee and move towards the muff in a slow, shark-like swoop. Nibble your way right up to the edge of her cunt, then skip across it and head for the other knee. Repeat. Doing this a few times will get her really hot and save you a lot of pussy-eating time in the long run.

When you’re just about ready to do the deed, start practicing on that weird crevice next to the lips. Don’t spend too long there or she might start to think that you think that’s the actual cunt.

By now she should be dying for you to make your move. If you’re doing it right, she’ll be moaning and trying to force your head between her legs. Stretch this phase out until she looks like she’s been holding her breath for three days.

Extra trick: Hover over the bush for about five seconds before the first lick. If you wait longer than that, she might think you’re having second thoughts because it smells bad. Of course, we all know that motherfucker smells sweeter than a bowl of steamin’ crawdaddies.

Important: Never bite the cunt in any way whatsoever. If this needs more explaining you should probably just stick to jerking off.

4) Parting the Red Seas
Isolate your playing field. Pubic hairs are to eating pussy what the Cavity Creeps are to dental hygiene. You’re never going to be able to identify all the parts if she looks like that PiL album That What Is Not. One hot trick is to get her to spread her lips apart so her pussy is all set up for you like a great big buffet.

5) The Grand Entrance
Do your first lick super slow. It’s good to groan and moan too. It shows you’re digging it while sending microscopic audiophonic vibrations right up her snapper. Start just above the anus and take it all the way to the fur. Do about a dozen of these “St. Bernard licks” before moving on (take it really slow, like four seconds per lick). This is a good time to figure out what kind of clit she has. If it’s real sensitive, she’ll probably convulse as you pass over it and that means you’re in for an easy ride. If there’s no reaction when you graze over her clit, she probably has one of those nerveless little pea clits and you’re in for a thirty-minute session of tongue tendinitis.

6) Rock the Boat
Eating pussy is so gentle it can make you feel like a bit of a fag. If you’re getting tired of being ballerina boy, take it out on the clit. Figure out how much abuse it can take without making her uncomfortable and show the little bastard who’s boss.
After all, Mr. Elusive is precisely what makes muff diving so difficult. He’s surrounded by labia and, even after you find him, all the pressure can pop him over to the side. All of a sudden you’re giving the pee hole the seeing-to of its life. Think of the clit as a tumor in a pile of earlobes. When you push down on the area he’s the only one that can’t be squished. Once one of your tongue troopers finds him, call for reinforcements. Use your lips to get hers out of the way and focus all your attention into getting him alone. Once you find him, give him a bit of a hard time for trying to hide from you. Frisk him and give him a couple of whacks across the head. More on this punk and his bad attitude later.
Extra important tip: The best way to stimulate the clit is to run your entire tongue over it after you isolate it from the lips. The man in the boat should feel the texture of the entire tongue pushing down on his body and his boat.

7) Identifying the Clit Type
After the slow licks it’s time to get this party started. There are essentially two types of clitori: ones that enjoy a serious going-over and ones that don’t. The latter suck about as much as a one-inch penis and you should dump her right away.
Extra tip: Clits come in all shapes, sizes, and sensitivities, but that doesn’t really tell you much. All of them want to be treated slow and soft at the beginning, but the only way to tell if you can go fast at the end is by reading her reactions. This is impossible to teach, but just do the best you can. All we can tell you is convulsing means take it ease and “Oh my God” means bring it on.

8a) Clits That Need a Serious Going-over
These are the most fun because you can be creative. Pretend your tongue is the bad cop and the clit is the guy who killed your partner. Separate him from his buddies (the lips) and suck him right up into your mouth. Now he’s on your turf. Keep him erect by creating an airtight vacuum chamber in your mouth. Slap the little bugger upside the head with one big tongue bonk. He’s not going to tell you shit because he’s a clit and he has no idea what you’re talking about, but kick his ass anyway. After a few teasers and swirling circles, rat-a-tat-tat him senseless like a boxer whacking a speed bag. If she starts freaking out like it’s too much, ease up on the interrogation and go back to the St. Bernard licks. The vacuum is a great way to bring her to orgasm, but it’s a bit much sometimes, so mix things up with some circles around the clit and some tongue fucking.

As you’re closing in for the kill, go back to the vacuum and give the suspect a relentless head smacking. Up-and-downies are usually the most effective, but your tongue will get less tired if you throw in a few side-to-sides. When you feel the inner thighs start to shake, this is it. Be repetitive. Do NOT be creative. You’re almost home and this is not the time to start changing tactics.

Extra tip: To keep the rhythm going, try repeating a chant in your head that goes with the movement of your tongue like a Micmac Indian (hi-yi-yi-ya, hi-yi-yi-ya, hi-yi-yi-ya). Any inconsistent action may throw her off, killing the mood or at least setting you back a few minutes, which is bad for morale.

Important: Keep going several seconds after her orgasm. Remember, it isn’t over until the hands come down from above and lay you off. If she’s multiorgasmic, you’ll have to keep going until you’ve done the whole routine another four or five times. If you’re not sure what to do, just keep giving her shit until the magic hands come down to pull you off.

8b) Clits That Don’t
Some clits don’t want to be singled out and battered around. These are the boring ones that need to be treated with gentle care. Just do casual St. Bernard licks until she cums, pure and simple. If you’re getting bored try going in some different directions for a while. A good way to keep it random is to spell out different letters of the alphabet with the tip of your tongue. You could be looking at half an hour here, pal, and that can be problematic. If you go for that long and she doesn’t cum, you’re going to be in a foul mood, so if it’s too much work, move on. On the bright side, going for thirty minutes is something few people have the patience for, so sticking it out will lead to some payback when period week comes around.

9) The Conclusion
Once you’re done (totally finished), she’s going to want you out of there pronto because the whole area is sensitive. Instead of leaving, stick out your tongue and lay it down on her like a thick, soggy carpet. Make sure you don’t move it or anything because that can actually hurt her. Just let it sit there like a dead manta ray for about thirty seconds. Then come up and wipe your face like a pirate. You now have a good minute to get the condom on and take her from the quarters of Prince Muhammad Muhammad Saddat to the cockpit of an F-15.


EXTRA BONUS TRACKS

1) Getting Fired
If two hands suddenly drop from the sky and start pulling you up, you’ve just been sacked. She’ll tell you she never cums from that anyway, but the truth is you suck at sucking. Just give her a jolly good rogering and look at the whole thing as a learning experience. Later you can ask what the problem was so you can get it right next time. If you’re really lame, you can ask for a regular play-by-play from the broadcast booth. A bit of the old “slow-down-you’re-going-too-fast–yeah-there-like-that-oh-that’s-perfect” can turn even the John Wayne Bobbitt of pussy eaters into a Doug Hart.

2) The Power Lunch
Nothing keeps you in the game and makes her cum harder than a mid-fuck munch. Pulling out in the middle of the race may leave her a bit confused, but it’s a great way for all you premature ejaculators to simmer down a bit and it reminds her neglected clitoris that he’s a somebody. If, after a few seconds, she still isn’t into it, you can save face by pretending you just couldn’t resist. Give it up and get back to the boff.

Extra tip: Unless you like the taste of your own latex-covered dink, keep your mid-fuck snacking to the upper clit region and stay away from the hole.

3) The Bottom
Fingers: If you are dealing with a particularly saucy vixen she may want something in her bum. A thumb gives you the best leeway, but keep in mind you are doing a raunchy thing and this should be saved until the end. Incidentally, if you’re trying to introduce a bum finger as a good thing, try eeking it in during orgasm. If it doesn’t wreck everything you could have a Pavlovian response on your hands for the rest of the relationship.

Hole: We’re not going to get into licking the actual hoop in this article because if you’re into that, you’re way too advanced for this seminar and should have graduated with a PhD in pussy years ago.

Cheeks: Bum-cheek rubbing is always good. There are over five hundred thousand nerve endings on those cheeks, so giving them a good squeeze or a slap while you lick the pussy will get you instant results.

4) The Double Whammy
Though some idiots say it takes away from when you actually put in the dink, simultaneous fingering is a great way to totally blow her mind. Think of it as the crack cocaine of cunnilingus.

5) Being Knackered
Tongue exhaustion is the number-one cause of abandoned manging, but there are many ways to avoid it. Like we said, using your tongue as an inanimate object is a great way to give it a rest. Stick it out as far as it can go and tense it. Then bite into it with your teeth and move it around the cunt using your neck muscles. Another solution is simply to use your fingers on the clit while you give your mouth a rest.

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'Boardwalk Empire' star Paz de la Huerta tells Playboy: 'I celebrate nudity every day'

FoxNews.com

'Boardwalk Empire' star Paz de la Huerta is not just any Playboy model. She says for her, posing nude is art form.

“I feel that when people hire me they know it’s going to be a collaboration and that they hire me for what I give on all sorts of levels, from my movement to the emotion I bring to the project, the passion, all of it," she tells Playboy in its January/February double issue, on sale Dec. 18.

De la Huerta, 28, was photographed for the men's magazine by Mario Sorrenti, for whom she says she has posed before.

“I did my first nude shoot with Mario when I was 17. He made me feel beautiful, and I really feel it was on that shoot that I overcame my fear of being naked," she said. "Mario is such an artist. He has taken photographs of me in which my body looks like a sculpture.”

De la Huerta, who plays Steve Buscemi’s crazy girlfriend on the HBO hit, says she and Sorenti were trying to go natural with her au naturale shoot.

"We did the photos with no makeup, and we both wanted them to have a very natural feeling," she said. "It was more about bringing out a part of myself that has not really been shown to the public.”

And its a side of her she says she's quite comfortable with.

"I celebrate nudity every day," she says. "It’s our first wardrobe."

This is true.

* I'm not taken with her which is my gentle way of saying Paz is plain face-wise but I really admire her bravery to go nude in almost all the flicks and mags she been featured in. Wish all the actresses have the same laissez-faire approach to nudity. But like I asserted before - this decade will be the golden age of on-screen nudity. With the start of 2013 and by mid-2016, I expect nudity by first-timers to increase to an incredible 90% which means 9 out of 10 newcomers will go on to do nude scenes within couple of years. By 2020, nudity will be part of requirement to be an actress in mainstream movies and cable shows just like fashion modeling. Ratings will be less stringent for movies with graphic sexual content and banning any films with over the top violent subject-matter.
Hopefully we will reduce our maddening dependency on celebrating and portraying violence in movies by end of the decade. Instead we will be more open to realistic depiction of love scenes (real penetration and fellatio) and worthwhile nudity. Sexual liberation is in my opinion one of the ways to fight our intrinsic nature for violence and neutralize the influence of organized religions.

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Bihar lass vies for Miss Universe title

Shilpa Singh was barely five years when beauty queen Sushmita Sen stunned everyone and made her country proud by clinching the Miss Universe title in 1994. Two decades down the line, the same Sushmita Sen has been giving invaluable tips to Bihar-born Shilpa who will be representing India at the Miss Universe contest in Las Vegas on December 19.

Born in nondescript Diha village at Singhia in Samastipur district, Shilpa is a software engineer by profession and a model by passion. Three days from now, India in general and Bihar in particular will be closely watching her every move with bated breath when she would sashay down the aisle amid a glittering audience thousands of miles away.

For, it was 12 years ago, or to be more precise the year 2000, when another beauty queen Lara Dutta won the Miss Universe crown last, thereby becoming only the second Indian after Sushmita to wear the tiara. Since then, lady luck has refused to smile on Indians although some of the contestants almost made it or lost by a whisker.

Manpreet Brar, the first runner-up in 1995 Miss Universe contest was a near miss, while Madhu Sapre was adjudged second runner-up in 1992, the year she made news more for the wrong reasons (remember the nude ad with Milind Soman?).

 Celina Jaitley too missed the Miss Universe crown when she was declared fourth in 2001. Prior to them, Yasmin Daji was third runner-up way back in 1966.

But 72 hours from now, all eyes will be riveted on Shilpa, who studied in Muzaffarpur, Ranchi and Jamshedpur and is currently working with Infosys. So, will she? Wont she? 
“Right now, the first challenge is to ensure a place in the last 16. We have the blessings of more than 100 crore people. Who knows Shilpa could do wonders… after all she, basically a software engineer and not a professional model, has been groomed by former Miss Universe Sushmita. Let’s keep our fingers crossed,” said her elder brother Salabh Singh, working in a Pune-based private firm.

Accompanied by her father Suresh Singh and mother Rita Singh, Shilpa has luck too on her side. After all, she was originally crowned first runner-up at the ‘I am she - Miss Universe 2012’. When the winner Urvashi Rautela was dethroned due to controversy over her age, Shilpa got the tiara.

A bit of hard work and equal amount of destiny can still do wonders for the 23-year-old next Wednesday.

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stars, sex and nudity buzz : 11/22/2012

Katie McGrath's Labyrinth and her Irish boobies is debuting this weekend but glancing at the schedule confuses the crap out of me. The TVcine site had the premiere at 0600 in the morning. But here it claims the time is 10 pm. Doesn't matter though. TVS seems to be cable shows broadcaster browsing the contents. Don't know the level of censorship on that channel.
Anyway be prepared to.....

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HEMLOCK GROVE: BSG Alum Kandyse McClure Teases Netflix’s Upcoming Horror Serial

by Roco on November 21, 2012

Kandyse McClure has teased the upcoming Netflix original series Hemlock Grove from Eli Roth.

Battlestar Galactica alum McClure plays Dr. Clementine Chausser on Hemlock, an animal expert brought in to help with the strange spat of murders at the heart of the show’s mythology . She spoke to Huff Post TV about her character and the series.

On Dr. Chausser:

Clementine has trouble in her life, and a chaotic past. She struggles with that. The way that she manages her inner demons is by throwing herself into her work. She’s very flawed and imperfect, but that’s what we love about her.

On how she fits into the larger mythology:

She’s brought in as the resident animal expert to aid law enforcement in finding what kind of animal did this. The path that she follows unravels secrets of the town, and who’s really in control. She goes there to hunt an animal but finds a town of monsters.

McClure reiterated the Twin Peaks vibe of the series, with some other ingredients thrown in:

Think of “True Blood” with “Twin Peaks,” with a lot of gore. That would be Eli Roth’s contribution. A little “Hostel” thrown in there! [Laughs]

Hemlock Grove is slated for a spring 2013 release on Netflix.

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Soho House Shorts Crowns 2012 Contest Winner

With The Hollywood Reporter as a partner, the contest crowned James Kibbey's film "House Cocktail" the winner of a contest judged by Paul Haggis, Harvey Weinstein, Janice Min and other big industry names. 

A glass was raised to James Kibbey's "House Cocktail" in New York City on Tuesday night, a cheers led by Oscar-nominee Jessica Chastain.

The two-minute short film was crowned the winner of the 2012 Soho House Shorts competition, which invited filmmakers to submit scripts to a panel of industry experts; the group selected nine scripts from over 1,000 entered, and gave £5000 (or $7935) to each finalist and set them free to produce their film.
Kibbey's, which featured the story of a hapless man sitting at a bar and using his imagination to impress a beautiful woman (Laura Haddock, of The Inbetweeners).

Kibbey's win comes with high praise from some of the film industry's biggest names.
“It’s a fantastic, entertaining short that separates itself from the others by showing the theme of imagination in its simplest form," said celebrated producer-distributor Harvey Weinstein, who served as a judge on the panel. "It shows what is possible by just being yourself and that it only takes a little bit of imagination for our guy to be charming and win the girl of his dreams."

The winning video is below; the rest can be viewed by clicking here. More details can be found at House Shorts' Website.


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I am Lizzy Caplan. Ask me things. About things.

Hello, Reddit.. My name is Lizzy Caplan, you may know me from many a cancelled television show like Party Down and some movies too. I'm in a new movie with Alison Brie, Martin Starr, Mark Webber, and Geoffrey Arend called SAVE THE DATE available today on VOD everywhere... or through ITUNES right here: http://bit.ly/savethedatemovieHere's the new trailer: https://www.youtube.com/watch?v=WSTCHrF7OGEHere's verification that it's me: https://sphotos-b.xx.fbcdn.net/hphotos-ash3/78386_10151244565907720_1032398720_o.jpgAsk me things. You don't scare me.

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Exclusive Script From 'Focus' Reveals Steamy Scenes – Ben Affleck and Kristen Stewart In Talks To Play Leading Lovers

In Touch has exclusively obtained the script of the upcoming movie Focus, which, according to numerous reports, will star Ben Affleck. And reportedly in talks to play Ben’s leading lady? Kristen Stewart.

The film tells the story of a veteran grifter (the part Ben would play) who takes a young, attractive woman (the part Kristen would play) under his wing. But things get complicated when they become romantically involved.

And the script reveals that there’s no shortage of steamy moments between the two characters. The role Kristen would play has a nude scene, and the lead characters have makeup sex after a huge fight.

In another racy scene, the script reads: “Looking up at the man in front of her, the young woman whispers, 'Just kiss me.' He lowers his lips to hers, her back pressed against the hotel room door. After fumbling for the lock, the pair stumble through the hallway to the bedroom, never breaking their embrace. They fall onto the bed in a tangle of limbs.”

“I’m hesitant to get into casting stuff because I don’t know what’s finished or isn’t because people come in and out of things all the time,” Ben recently said when asked about the possibility of working with Kristen on Focus. “But she’s terrific, and hopefully it will work out.”

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Emma Roberts channeling her Pretty Woman in Tyler Shields Photoshoot

 

Actress Emma Roberts shared a new Tyler Shields' photoshoot image through her Instagram yesterday.
http://instagram.com/p/SPWSjnC_I4/

The famous celebrity photographer is no stranger to controversy: he destroyed a $100,000 Hermes Birkin bag, he shot Heather Morris playing a glee-ful (pardon the pun) victim of domestic abuse, and Mischa Barton/raw meat photoshoot that got everyone PETA really pissed?

This shoot with Emma isn't quite as controversial but you get the idea...

In other Emma news, the 21-year-old is reportedly begging producers consider a remake of her aunt Julia's star-making film, Pretty Woman. Radar Online reports that Emma thinks an updated version of the 1990s film could be huge and is keen to play Julia's role in it.

A source reports, "Emma's dream is to re-create Pretty Woman, it's her ideal role. She's been in talks with producers about the possibility of revisiting the character Julia made famous in a reboot of the original film. Emma grew up loving Pretty Woman. It had sentimental meaning for her because her aunt was in it, and she can quote chunks of the movie off by heart. Critically and commercially it was a big success too, Julia was up for awards, and Emma wants to be just as successful."

The film is the most commercially successful romantic comedy of all-time with a $463 million worldwide gross.

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'Last Night' Director Massy Tadjedin To Helm 'The Adults.

by Charlie Schmidlin

Electric City cohorts Jamie Patricof and Lynette Howell have optioned the rights to Alison Esbach's novel, “The Adults,” with Massy Tadjedin (“Last Night”) attached to write and direct. Revolving around a suburban teenager whose relationship with an older man slowly comes unraveled, the coming-of-age adaptation is bolstered by a great creative team, so expect this one to be fast-tracked to production soon.

* Esbach's The Adults contains matter-of-fact sex scenes. It's supposed to be a fiction but you get the feeling Alison is writing partly from experience. The casting of lead character Emily Vidal is obviously important but the director is an Iranian and while it will be R-rated (for the dialogues) I wouldn't put much stock the film-maker will go for blatant sex/nude scenes. Hopefully I'm wrong.

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Katrina Bowden Speaks on Being on Set with Tracy Morgan and Tina Fey on #SwayInTheMorning


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The Revenge of 'Carrie' - What We Want from the 2013 Horror Remake

by Tyler Wantuch

In 2013, MGM and Screen Gems are set to release a remake of the beloved horror classic Carrie with Chloe Moretz taking the place of Sissy Spacek. This has some fans of the original film and Stephen King novel asking "why?" Brian De Palma's original 1976 film captured the telekinetic teen story completely and artfully. Its 90-minute run time almost feels too long to cover the tiny plot line, yet the film holds our attention from start to finish. He does not dawdle, instead De Palma moves swiftly from one iconic scene to the next. The film is thick with themes of innocence, guilt, blood, and sexuality all of which play into the ethos of the story, blanket the screen and allow the film to rise above the usual King adaptation. Read on!


Re-envisioning this powerful story may be near impossible due to the emotional experience most viewers received, but when has that ever stopped Hollywood? The studio is trying to protect the film by making it clear that they are not remaking the 1976 film, but rather creating a new adaptation of the original work. Trying not to compare such an iconic film may be a futile task when the remake (watch the trailer here) hits theaters on March 13th, 2013. In order to give the remake a chance to live up to the ridiculous standards from the predecessor, a few things will need to be in place.

Beware of spoilers ahead for anyone who has not seen the original 1976 film or read King's novel.

First and foremost, the heart of this coming of age tale is guilt. De Palma painted a claustrophobic nightmare that buries nearly every character with this burden. From the sweet Sue Snell (Amy Irving) to the obvious Carrie White (Spacek) each character is fighting a losing battle with the emotion. The guilt guides all of our characters throughout the film moving the plot under different guises of anger, pity or fear. For our troubled main characters the guilt will mount and unleash in horrific manners; a paranormal psychic ability and a desire to kill your own child. De Palma gives full court press to the idea forcing even minor characters to carry small moments of guilt.

For instance, Sue's mother feels guilty for her daughter's actions and donates ten dollars to Margaret White (Piper Laurie) and the uncaring principal feels a pang of guilt for calling her Cassie repeatedly. The do-good gym teacher, Miss Collins (Betty Buckley) feels so responsible for the shower incident she tries desperately throughout the film to make things right. Her method, perfectly enough, is to spread more guilt onto the gym class through punishment. The only character able to escape De Palma's nightmare is the angel Tommy Rose (William Katt). A reprieve only rewarded with death. Even our two villains Chris Hargensen and Billy Nolan (Nancy Allen And John Travolta) -whose guilt may not be as apparent- is repressed by their selfish teenager mindsets. If the remake misses the importance of this theme, the film will be set up for failure before it can even get rolling.

Of all things, the next crucial aspect is nudity. Carrie exists at a critical point in a young woman's life, the moment she moves from innocent child into a sexual being. De Palma captures this entire essence in a few minutes of screen time. Post a gym volleyball game, we see a crowded locker room filled with nude and partially nude young women. They play and dress at half speed. The viewers are well aware of their age and find themselves in an unusual predicament. Minus the nudity, there is nothing sexual about their play, yet due to their age we struggle to come to terms with viewing high school kids in the buff. They are old enough to be sexual but not old enough for our thoughts to be acceptable. De Palma understands this and pushes the idea even further by having us watch Carrie as she caresses herself, washing her body. The scene hints towards pornographic.

With this, the internal setting of Carrie herself has been set up through the use of a powerful imagery; a male's fantasy of what happens in the locker room; a glossy, steamy vision of innocence and sexuality that will be soon tainted by the following events. This three minute sequence encases the film completely. Innocence, repression and misunderstanding play out in a haunting fashion. For plot reasons, the remake must include this scene and the nudity, but it must be handled in balance. Too much sexuality and the film moves into the land of bad gratuitous boob land. Too much innocence and Carrie's sexuality could be undermined. Puberty is the reason her abilities come to fruition and for this reason the subject must be handled carefully.

Next on the list the slaughtering of the pig by Chris and Billy, which is crucial to the story. This scene, although important to the plot for what kind of blood will be dropped on them, holds a special meaning to our villainous duo. The vicious prank is masterminded by Chris but once her plan is unfolding she discovers she cannot bear to kill an innocent pig. This small moment depicts Chris's feelings towards Carrie, she is able to publicly embarrass a classmate, but when it comes to killing the pig she's too squeamish to do it.
Aside from adding a gruesome moment to the film, the scene encompasses a wrinkle to Chris's viewpoint. Her anger towards Carrie can drive her to do devilish things, but not murder. It underscores the viciousness of the prank. Chris wants to embarrass her for revenges sake, but doesn't want to hurt her physically. A feeling that Carrie will not reciprocate later in the film. This scene has always struck me as a true horror moment. It will be interesting to see whether or not the remake includes the slaying or if it will find its way on the cutting room floor.

The quintessential relationship in the film is the one between Carrie and her mother. As the film comes to a close we have a fight between the two where Carrie at first asks for forgiveness for going against her word by going to prom, essentially confirming the mother was right all along for trusting her classmates. But like any good horror movie, the mother is in no shape to accept her apology. She has already decided that Carrie must be possessed by the devil and proceeds to stab her in the shoulder. This is the moment where Carrie does the unthinkable in her mind and commits matricide, crucifying her mother with household knives. This fight sequence can be handled as they wish, but the implosion of the house into a single point represents the utter defeatist attitude carried by Carrie. The weight of her guilt collapses in on the embodiment of her existence, her now dead mother and their squalid house. No bells and whistles needed. De Palma sucked the house in a few seconds in a pseudo-surprise.

The unexpected demise was needed to conclude the very existence of Carrie. If her destruction becomes larger than life, sucking in neighboring houses or even affecting outside characters it will be a complete miss on what the ending stands for. The guilt caused from the destructive relationship between mother and child is so heavy to bear, that it collapses in on itself. This demise will need to be scrapped because it is original and not connected to the novel in any way. So instead we must look further towards the end, as to what sort of tricks could be up the remakes sleeve.

De Palma again broke away from the novel to end his masterpiece. In lieu of a real meeting between Sue and Carrie post prom night we have a dream sequence; one in which Sue returns to the hole that was once Carrie's house only to have a zombie Carrie grab her leg. Then she awakes and we are left to wonder if it was only in Sue's nightmare. This ending resurrects Carrie into a monster that could lurk inside our dreams well after the incident. Giving her an immortality of sorts. While King's original ending instead offers a letter from another teenager experiencing similar telekinetic powers, De Palma's ending fit into the realm of thinking of horror at the time which could give rise to the likes of Freddie Krueger. King's ending is that of the classic monsters, hinting towards a possible epidemic of super powered teenagers.

Nowadays in the 2010s, neither ending seem to fit the current horror genre. As always our monsters must continue to live on past the film, but such gimmicks as dreams or new "Carries" across the country will not work. In 2002, a made for TV version was created and ended with Carrie surviving, allowing her to carry on a TV series that never came to fruition. Is Carrie's survival necessary in today's horror? Or would it make more sense to stay strictly to King's word? These are questions that not only need to be answered, but also crucial to give us insight as to how the producers view the film. Is it a closed piece of art or is it a setup for the modern franchise?

MGM and Screen Gems have re-opened a holy grail of the horror genre and are seemingly willing to give it the full treatment. A powerful Julianne Moore plays Margaret White while director Kimberly Peirce (Boys Don't Cry) is at the helm with phenomenal young actress Chloe Moretz taking on the title role. The screenwriter Robert Aguirre-Sacasa has mainly done television work ("Glee" and "Big Love") and hopefully brings some fresh blood to the dated ways of thinking about horror. The documentary feel of the book and the destruction of the city, which are missing in De Palma's adaptation, are a couple of ideas from the original novel that could be used again. However a strong focus on destruction, nudity and violence could wash out the subtlety of the original film's legacy, turning this into yet another ho-hum horror film that happens to have a famous title. We'll have to wait and see how it turns out next March.

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Ashley Rickards : Annex Mag

 

 

 

 

 

 

 

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Cassandra Jane wins the Nude Miss World 2013 Contest

More pics here


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The thrills of ‘Boss’ will be missed (the nudity, not so much)

by LORI RACKL TV Critic/lrackl@suntimes.com

Here’s one theory as to why Starz’s drama “Boss” won’t be back for a third season: They ran out of ways to show Kitty O’Neil naked.

Make no mistake, I loved this series starring Kelsey Grammer as Chicago Mayor Tom Kane, a ruthless leader clutching to power while dying from a degenerative brain disorder. Deftly acted and smartly written (most of the time), “Boss” was a thrilling blend of Shakespeare and soap opera, set — and filmed — in Chicago. Not only did it employ a deep bench of local actors and production crew, it portrayed a gritty, raw side of the city seldom seen on TV.

For these reasons and more, I proudly count myself among the show’s small but devoted fan base, which got the bad news this week that “Boss” has been canceled. I’m disappointed but not surprised. Ratings were up sophomore season but still nowhere near great, or even good. That, combined with a lack of Emmy love, didn’t help its staying power.

“Boss” made some major changes heading into its second season, bringing on a new co-showrunner and adding several new characters, the best of whom turned out to be Ian Todd (Jonathan Groff), Mayor Kane’s ambitious young advisor and son — a fact that viewers discovered but Kane did not by the time season two wrapped in October. That reveal was one of the many things I was looking forward to in the now scuttled third season.

But “Boss” also lost a key character: Kane’s pragmatic right-hand man Ezra Stone (those weird hallucinations of him don’t count). Stone, wonderfully played by Martin Donovan, brought a gravitas that was sorely missing without him. His absence was a big reason season two wasn’t as strong as the show’s freshman run.

Some returning characters were more problematic this season, too. It became increasingly hard to buy crusading journalist Sam Miller’s (Troy Garity) actions. Driving up to Toronto and posing as an insurance investigator to get Kane’s medical records? (A journalism no-no.) Paying a guy $10,000 for a story tip? (Another no-no.)

More important, the biggest “Boss” flaws weren’t fixed the second time around. The show continued to be a bit too smart for its own good. The incredibly dense plot and political wheelings and dealings were exhausting to watch, not to mention difficult to keep track of. I’m not advocating that it should have been dumbed down, just spaced out so viewers would have had a chance to breathe.

Perhaps my biggest gripe was when it forgot it was a sophisticated drama and thought it was soft porn. The gratuitous sex and salacious camera shots only served to disrupt momentum and lend an air of silliness. You could build a drinking game around how many times Kitty (Kathleen Robertson) and others hiked up their skirts or dropped trou.

Flaws aside, “Boss” was among the best shows on TV. Its end is premature, both for fans and its creator, Farhad Safinia, who talked about the series at a gathering of television reporters shortly before season two premiered in August.

“We made an initial promise to the audience in the very opening scene of the first episode,” he said. “We sort of told you that we’re looking at this end run. We’re looking at a timeline that is going to be studied until [Kane’s] ultimate demise. I hope that we get to tell the entire story.”

That won’t happen now, but we might get some resolution. Starz says a two-hour series finale may get made, although there’s no deal yet. Let’s hope Mayor Kane can get it done.

* This is Lori Rackl:

I expected someone really obese or somebody who looked like she haven't had sex for years. But it's obvious Lori is envious of Kathleen Robertson still supple tits being around the same age and all. Woman as attractive as Lori shouldn't be this prudish. Ms.Rackl, there is an opening for nude extras on Magic City. Please apply and liberate yourself from smothering sexual conservatism.

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'Rigodon' Movie Reviews : New Sexpot Yam Concepcion Delivers

Filed under Featured Articles:

WE SAW ‘RIGODON’ on its premiere night and we enjoyed new sexpot Yam Concepcion's unabashed performance as a young woman desperately looking for love and finding it in the wrong places. She’s so photogenic on screen. The camera just loves her very winning presence. And she goes all out in the love scenes.

The most daring is actually the first one, done on the stairway in her apartment. John James Uy asks her if she’s still a virgin. Instead of answering, she takes John’s hand and puts it inside her panties. This is a wild scene and it’s shown uncut. John removes her undies and we see her totally naked backside while John licks her. In fairness to Yam, it’s not only the seductive scenes that she does convincingly but even the dramatic scenes, considering this is just her first film.

The cinematography is excellent, even the scenes shot with a handheld camera that can sometimes be jarring. Director Erik Matti has come up with a very dark movie about losers and you can never guess where the story will take you, up to final scene where you think an assassin on a motorcycle would kill one of the characters.

John has a disconcerting accent in delivering his Tagalog lines but he does fine as the philandering husband who turns out to be involved with not just two but three women.

Max Eigenmann as the wife definitely delivers. She’s fat here but her being overweight suits the wife role persuasively. She definitely has a flair for finely nuanced acting as the frustrated pastry chef whose cupcake business is not prospering. Her sexy scenes are very tame compared to those of Yam, which is for the best since she has to shed off all those unwanted pounds first before she faces the camera again. 

by the director himself ERIK MATTI
Tomorrow this movie, Rigodon, will be showing in theaters with two cuts R-16 for SM and a Director's cut of R-18 in all other cinemas.

This is a movie that we did on and off for 8 months.

I know the first question that pops in everyone's mind: In these times, is an adult movie still relevant?

It surely is. Rigodon, once titled Punto De Bista, was a script we already had for 4 years now. From a director who has done several adult movies, Scorpio Nights 2, Ekis, Dos Ekis and Prosti, it would be easy to dismiss this new film of mine as somewhat predictable. So how then can I claim Rigodon to be relevant?

As someone who loves the industry I'm in and who adores all sorts of movies, we all wish that we could get to see other kinds of movies in our theaters other than Twilight: Breaking Dawn. You wish that there would be movies that would cater to any mood, topic and flavor without judgment on its moralistic stance.

I have been fighting to get this movie made not because I only want to see nudity in our movies but also because I want a variety of movies to thrive in our industry and nurture a movie audience that will be open to anything and everything cinema can offer.

The past years we saw a surge of local rom-coms and low budget horror movies with the occasional indie offering that has become predictably formulaic. Other than that, we turn to Hollywood and foreign movies to get a different serving in our movie-watching appetite.

Rigodon is relevant as a movie that dares to challenge what can be shown in Philippine cinema nowadays. it is relevant to give the audience a different kind of experience other than what we're used to.

It may not be a film for everyone, but it certainly deserves a space in our movie houses.

Rigodon: Racy, Provocative
Love triangles are almost always a great catalyst for tension and conflict in storytelling. Someone is bound to get hurt and emotionally fucked-up in the process, allowing for interesting plotlines to unfold. Local cinema has seen its fair share of titular characters torn between two lovers (the bulk of which being pre-packaged box office brouhaha, like this one), but director Erik Matti’s latest dramatic thriller, Rigodon, injects darkness and paranoia into the mix of love and lust.

Sarah Dilag (Yam Concepcion) is a jaded office-worker who meets the manipulative Riki (John James Uy) at a club, and immediately, licentious heat takes over. They form a relationship, but Sarah is unaware that he is married to Regine (Maxene Eigenmann) and that they have a daughter. As the three of them maneuver around each other in a dance fueled by jealousy, passion, and dishonesty, their lives spiral down into an immoral hole, leading to a cathartic and tragic climax.

The ladies bring their A-game in this one. Yam is scintillating in her debut; her portrayal of Sarah is raw and bold (and we mean B-O-L-D!), her fresh face beauty beguiling her character’s deeper intentions. Maxene is also kind of scary as the jealous and suspecting wife, an homage to her family’s well-known talent. The women’s toxic mix of seduction and danger adds a layer of salaciousness that blurs the line between sanity and madness. The lengths they’re willing to go get the man (or get rid of him) are shocking and violent.

The play on each character’s intentions is akin to any of director Woody Allen’s latest tragedies. There’s a precision to the control and masking of each motivation, like how the simple use of computers or cupcakes hides deeper turmoil. They make choices, choices they can’t undo but soon regret. And just as in real life, the lies catch up with them and once they’ve reached the tipping point, there’s no turning back. The psychosexual angle the film explores touches on the misguided consequences of obsession, themes that aren’t really new, but nice to see on a mainstream platform.

Rigodon is exciting. No scratch that, it’s provocative without being in-your-face. It’s unafraid and unapologetic and in the end, leaves audiences with an unsettling feeling. In a film culture filled to the brim with commercial exploits, love teams, and matinee-idol fanfare, it’s a spin and allusion to the sexy films of yesteryear. And we, the male-going public who has had to endure the likes of A Secret Affair and The Mistress, can’t help but blush in excitement.

* can't wait for a DVD release (if there is one). Please e-mail me the review or the details of the sex scenes if my Philippines blog visitors managed to catch the movie on the big-screen.

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Michelle Jenneke Doing The Dougie; Hurdler Invades U.S. 

Your favorite hip shaking Australian hurdler, Michelle Jenneke, has landed on U.S. soil for a press tour and it took her around 24 hours to do the Dougie on camera. That action starts at 3:20. The rest of the video, uploaded yesterday, is worthless.

No track athlete not participating at the Olympics had a bigger 2012 thanks to a race routine than Jenneke.

She arrived in L.A. on November 16 and seems to be making her way from Internet company to Internet company looking to create some new buzz.

The problem: How do you duplicate or out-buzz the race routine GIF? Date one of the Lakers? One of the Clippers?

Wait, speaking of the Lakers, Jenneke in October dropped some intentions on this U.S. trip.

She also got Americanized by opening up a Twitter account – ‏@MJenneke93 – where you can offer to take her to In and Out Burger for an Animal Style while she’s here in the States.


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Married Weatherman Fired After Explicit Facebook Sexting Exposed

Nov 21, 2012 By NewsOne Staff 

Fox Connecticut fired its in-house weatherman Geoff Fox (pictured above), after a frisky conversation he had with photographer Zoel Kennedy (below) on Facebook went viral, according to the UK Daily Mail.
Fox, who is married with a daughter, had a marathon-long conversation with Kennedy that would have been a better fit for a porn site rather than social media site Facebook.

In the conversation, Kennedy is detailed about what he’d like to do with Kennedy, making even the most bold among us blush. The conversation was picked up in an article entitled, “Married Weatherman Caught Sexting With a Photographer,” and not surprisingly, went viral thereafter.

Oh, and there’s more. Much more:

And more:

 

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Serebro : Gun Russo


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Judy Greer on Dead Accounts, Arrested Development and Almost Getting Kicked Out of Acting School

by Marc Snetiker

Age and Hometown: 37; Detroit, MI

Current Role: Steely ex-wife Jenny, who has unfinished business with her husband (played by Norbert Leo Butz) in Theresa Rebeck’s new comedy Dead Accounts.

"Aren’t You That Actress?" That’s the question frequently asked to Judy Greer, the film and TV veteran who has spent the past decade stealing scenes in everything from Californication and Two and a Half Men to the Oscar-winning The Descendants and 27 Dresses. Greer has earned her place in pop culture with her “goofy, funny and wallflower-y” characters, causing audiences to recognize her—even if they don’t know from where. “For the first couple years I was acting, there was familiarity, but most people didn’t know why they know me,” Greer says with a laugh. “Eventually, they get there.” Lately, it’s been her role in the “full-on cult sensation” Arrested Development that has fans buzzing, especially since Greer will reprise her role as oddball secretary Kitty Sanchez on the show’s comeback season. “It came back very easily for me,” she says. “I had no problems tapping into that crazy, crazy bitch!” Thankfully, Greer will be decidedly less crazy when she appears in the forthcoming rom-com Playing for Keeps and as Miss Desjardin in the bloody remake of Carrie.

Try, Try Again: “I don’t have an awesome story for people starting out in the business,” Greer says of her career. “It all happened really organically for me.” As a kid, she studied ballet, although “it became clear to me, the older I got, that the cream rises to the top and I was not rising!” In high school, she found renewed self-confidence in musicals. “I wasn’t super popular, I didn’t have a ton of friends, but theater was very welcoming,” she says. When college auditions came around, a frenemy challenged Greer to try out for an exclusive program—and she got in. “I felt like I could live like a movie—reinvent myself and become the kind of person I could have been in high school,” she says of DePaul University’s theater department, where she was criticized for her accent. “They never liked my voice. I almost got kicked out. And it’s funny, because when I did move to L.A., that part of me was so me. They try to strip away everything that makes you you, but being myself was something that actually made me successful in Hollywood.”

A Dead Debut: Since acting school, Greer’s dream was to be in plays. But as her L.A.-based screen career took off, a Broadway debut became difficult to imagine—until an offer for Dead Accounts fell into her lap. “At first I thought it was a joke,” she says. “It’s such a huge honor.” Greer was thrilled to discover that the Broadway rehearsal process—with Tony-winning director Jack O'Brien and co-stars Norbert Leo Butz and Katie Holmes—felt less stressful than a movie set. "The discipline it takes to be in a play is something you don't often find in television and film,” she notes. "If I never did another show, I would [already] be such a better actor on whatever project I have next." So what is next? Greer hopes to continue down the Broadway path, doing “as many more plays as I possibly can,” including shows of the musical variety. “I have this fantasy of being in a musical, but I would have to sing, and I might be a terrible singer,” she says. “The best advice I ever got was from my high school chorus teacher, who said, ‘When in doubt, sing loud.’ So I would sing loud—real loud.”

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Photo Ops

starring couple of cutie-pies : Nicole Ridgwell and Brenda Ortiz. 

from Guillermo Martinez
Directed by Guillermo Martinez and Akin Bilgic. Our short for the 72 film project. It was an amazing experience and it would have been impossible to make it if it wasnt for all the people that decided to spend 72 hours, with little to no sleep, doing what we do best...making films. Thank you all for making this crazy idea possible.

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